I can’t drive Route 9 without a swell of love for the labor that has restored our world in the past few weeks since Irene hijacked our streams. At each turn of the highway, I see orange cones where the guard rail once stood, and I know that a section of road was washed away there too.
To say that a “section was washed away” doesn’t do justice to the calamity of Irene. Entire segments of Route 9 simply vanished, roots and all, leaving cavernous holes in their place. The span of each missing stretch of road can be measured by the new pavement–ten to 100 foot stretches–sobering, if nothing else.
I’ve only been back on Route 9 as a driver for a week, but it’s been repaired enough for passage for at least two. That first week it opened was rough going, with dirt patches along the way, and road crews littered about.
On the few occasions where I was a passenger in someone else’s vehicle (due to a post-flood carpool), my stomach churned with each new turn of devastation–a bridge missing, a hillside vacant, a stream bed ten times its original size.
I worried aloud for the safety of drivers–those who didn’t know to slow down, and those who might be hurt because of that. I worried about rain, and new wash outs, and dampened spirits.
I kept to the backroads. They were familiar. And dependable. Some had been destroyed, but their repair seemed simpler, more straightforward; and I knew how to drive their earthy contours; and felt safer because of their realness.
And still, I was drawn back to the nightmare of Route 9, to its curves and climbs and horrors, just as I was tonight. At 6:00 pm, the road crews were gone, and the setting sun made purple mountain majesty of the sky, transforming everything, even the mangled roads, into… beauty.
Rubble strewn highway at MacArthur and Route 9
As I approached my turn at Route 9 and MacArthur, I saw that most of the rubble which has defined it has been cleared away; and I almost miss it.
My sister comes Friday and I want her to see what pain has been inflicted upon us. And yet, I’m equally afraid for her safety as she drives up my half-eaten dirt road at night. It’s narrower than ever and there’s no room for cars to pass in both directions at once. And what if it rains?
Tonight, I climb MacArthur without another driver in sight, and notice new gravel poured into the stream side of the road. I wonder where it came from, and how long it will take before they finish the job that overwhelms me just thinking about it.
There’s a large yellow truck at the top of the hill, and I slow down to take a look at the work that began yesterday at Neringa. Three weeks ago, a hundred wedding guests were stranded there when the bridge across the Whetstone collapsed.
Neringa wedding guests lining up for transport out of Vermont.
Rumor has it that the dam at the pond was the cause of the flooding down MacArthur and onto Route 9 and down into Bratttleboro, but I’m here to tell you, that dam is still intact. It’s how the guests crossed the pond and secured passage home to Canada or California or Massachusetts and Lithuania. It’s how the caretaker and his family get access to the car that’s parked in our driveway across the road. (Their truck is still stranded on the other side.)
There’s no sign of a bridge yet, but Bennett and the operator of that huge yellow excavator are talking, like men do, figuring out what’s what.
The trees that fell across the bridge were removed yesterday morning, and the monstrous culverts that ended up downstream were retrieved in the afternoon; so perhaps replacing them is next.
I’ve never thought too much about road making and bridge fashioning until now. I never thought too much about watersheds and erosion and stream redirection either. But for the past three weeks, I’ve been intrigued by every bit of it. Every bit.
When it doesn’t make me cry or cringe, driving on these roads makes my heart swell with every labor of love.
Like the Little Drummer Boy, I’ve humbly asked, “What can I give in the face of so much devastation?”
But the best I’ve had to offer is my presence; which pales in comparison to those with hammers and shovels and know-how.
Physical labor has never been my passion. But I do like to move. To music. And I could offer that to you. And it would feel good. And you would leave restored–body, mind & soul.
The first class of my fall YogaDance session at Marlboro Elementary School on the miraculously restored Route 9 is Thursday, September 29 at 5:30 pm; and I’d like to offer that class as a gift to all of you.
There’s nothing you need to bring, except for maybe a water bottle. You can dance barefoot or with clean, non-marking soles (like sneakers), and you can dress comfortably with layers to peel off as needed. You don’t need any skill or experience, and basically the music does what it needs to do– inside of each one of us.
What I bring as the instructor (besides a rocking sound system) is what I offer in my writing–deep presence to what is alive in me and what is alive around me–in you. In this way, I create a soundtrack that is always eclectic, bold, soulful, soothing–and just plain fun.
I begin with something quiet, maybe some classical cello, and then move into blues or jazz or funk before opening into something really powerful–rap, world, rock; and then shifting again– into the sweet sounds of the heart, before really ramping it up with something energizing and FUN.
As the hour ends, the music turns inward again–with a ballad perhaps; and then we sink into final relaxation with notes that transcend thought.
This is what I’d like to offer you. To all those touched by flood, murder, and all manner of trials.
If you’d like to come just show up–or drop me a line with questions or anything else that comes to mind. (See form below.)
Details:
FREE Community YogaDance Class
Thursday, September 29, 2011 at 5:30 pm
Marlboro Elementary School gymnasium, Route 9, Marlboro, VT.
Bring a water bottle, dress comfortably to move, dance barefoot or with clean sneaks.
Absolutely no charge. This is my little drummer boy gift to you. Given freely. In the hope that it will serve all who come.
Pass it on. The space is expansive, and so is the heart of the people in Vermont.
Auntie Fran at the River House, all rights reserved, Lila Salasin, 1970
Ask around and you’ll find that I have a hard time surrendering summer, and that’s putting it mildly. As soon as we pass the Summer Solstice and the days begin to grow shorter, my pond cronies tease me about the sun dropping behind the mountain a minute earlier each night.
As flirtatious June heats up into toasty July and then releases into cooling August, true friends hush others when words like “autumn” or “school ” are spoken in my vicinity; while others openly mourn along with me.
But this year is different, at least this morning–midway through September. Today, I am willingly relinquishing my rules for prolonging summer (and I am almost welcoming the changes the new season brings.)
Maybe I’ve evolved. Or maybe this is just an intermission of enlightenment, and tomorrow I’ll be back to my old ways–chasing after summer with flip flips or pond dinners and alternately taking her departure personally.
I don’t want to spend any more time being sad. I feel so much appreciation and love and tenderness; and in the grace of that flow, even I can surrender summer.